Nescivit sayes Seneca quod bene cessit relinquere: And after, Si meliora dies, ut vina, poemata reddit, Scire velim pretium chartis quotus arroget annus. To read Macrobius, explaining the propriety and elegancy of many words in Virgil, which I had before passed over without consideration, as common things, is enough to assure me that I ought to think the same of Terence; and that in the purity of his style which Tully so much valued that he ever carried his works about him there is yet left in him great room for admiration, if I knew but where to place it.
First, That we have many Playes of ours as regular as any of theirs; and which, besides, have more variety of Plot and Characters: Like most poets of his time, Dryden saw poetry as a way of expressing ideas rather than emotions, which makes his poetry seem cool and impersonal to some modern readers.
In his works you find little to retrench or alter. His Heautontimoroumenos or Self-Punisher takes up visibly two days; therefore says Scaliger, the two first Acts concluding the first day, were acted over-night; the three last on the ensuing day: So that there is this difference betwixt his Satyres and Doctor Donns, That the one gives us deep thought in common language, though rough cadence; the other gives us common thoughts in abstruse words: For Neander, tragicomedy is the best form of drama.
Drama is, as Aristotle wrote, an imitation of life, and it is successful as it reflects human nature clearly. He also made a valuable contribution in his commentaries on poetry and drama, which are sufficiently extensive and original to entitle him to be considered, in the words of Dr.
Hence the reason is perspicuous, why no French Playes, when translated, have, or ever can succeed upon the English Stage. When he was 11 years old the Civil War broke out. Views on Rhyme in Drama At the end of the discussion, there is an argument between Crites and Neander over rhyme in plays.
His last work for Tonson was Fables Ancient and Modernwhich were mainly verse adaptations from the works of OvidGeoffrey Chaucerand Giovanni Boccacciointroduced with a critical preface.
There a Gentleman is to meet his Friend; he sees him with his man, coming out from his Fathers house; they talk together, and the first goes out: But this cannot be brought to pas but by many other imperfect ones which conduce to it, and hold the Audience in a delightful suspense of what will be.
They do not adhere to rules as well. The essential difference between comedy and tragedy, says Bergson, invoking a distinction that goes back to that maintained between ethos and pathos, is that tragedy is concerned with individuals and comedy with classes.
There is only the balanced rhythm of sentience and emotion, upholding itself amid the changes of material nature. But there are a thousand other concernments of Lovers, as jealousies, complaints, contrivances and the like, where not to open their minds at large to each other, were to be wanting to their own love, and to the expectation of the Audience, who watch the movements of their minds, as much as the changes of their fortunes.
Waller; nothing so Majestique, so correct as Sir John Denham; nothing so elevated, so copious, and full of spirit, as Mr Cowley; as for the Italian, French, and Spanish Plays, I can make it evident that those who now write, surpass them; and that the Drama is wholly ours.
However, Lisideius who glorifies French plays, replies by saying that French Drama is superior to the English and also any other European Drama.
Implicittoo, in Aristotle is the distinction in styles deemed appropriate to the treatment of tragic and comic story. Eliot in The Confidential Clerk, Eugenius favors English Drama and accepts it superior to the French Drama.
Thus this great man delivered to us the image of a Play, and I must confess it is so lively that from thence much light has been derived to the forming it more perfectly into Acts and Scenes; but what Poet first limited to five the number of the Acts I know not; only we see it so firmly established in the time of Horace, that he gives it for a rule in Comedy; Neu brevior quinto, neu sit productior actu [let it be neither shorter nor longer than five acts—ed.
I could multiply other instances, but these are sufficient to prove that there is no errour in choosing a subject which requires this sort of narrations; in the ill managing of them, there may.
He was not only a professed Imitator of Horace, but a learned Plagiary of all the others; you track him every where in their Snow: The miracle of the Fire was that London was saved, that the fire was stopped, and that the great king Charles II would rebuild, for he already announced his plans to improve the streets of London and to begin great projects.
The words, as near as I can remember them, were these: He had no sooner said this, but all desired the favor of him to give the definition of a Play; and they were the more importunate, because neither Aristotle, nor Horace, nor any other, who writ of that Subject, had ever done it. Blank verse being as much below them as rhyme is improper for the Drama.
Besides, in performing them, it will be first necessary to speak somewhat of Shakespeare and Fletcher, his Rivalls in Poesie; and one of them, in my opinion, at least his equal, perhaps his superiour.
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Dryden's Essay: Of Dramatic Poesy: Short Video Lectures and Quiz Short Video Lectures on Dryden's Essay Of Dramatick Poesie, Quiz and Tasks to 'Think and Write' 1) Short Video Lecture on Dryden as Father of English Criticism, Neo-Classical Critic and definition of Play.
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Criticism flourished in England during the restoration of Stuarts. An Essay of Dramatic Poesy deals with views of major critics and the tastes of men and women.
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